Craft: Writing Prompts

Writing prompts for specificity.

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Exercises in specificity:

Use a simple sentence,  eg. Ken was angry.

Ask HOW SO? Write with more details, eg. Ken snapped at the cashier.

Ask WHY? Discover why he’s so angry, eg. Ken snapped at the cashier in the cashmere sweater that looked like the one his wife had dropped off at the Goodwill last month.

The goal is to get more specific for each emotion, show it in action and the cause. Be more detailed. Find the unique story behind your intial statement. Find the strangeness, idiosyncracy, empathy and troubles.Let that one sentence take you somewhere unexpected.

Writing Prompts: For each of the following sentences, expand until a story comes out that feels complete and full of such details.

– Kendra was angry.

– Mick was disturbed.

– Rodney saw no way out.

– Tarik felt alive.

Start with one of the above examples and rewrite for 10 minutes.

If doing this at home alone, pick one line that lingers from your rewrite. Come back to it another day and add another three sentences.

If in a classroom, everyone writes up a sentence of theirs onto a scrap of paper, scrunch it up and put it in a hat, container.

Pick one out, read it aloud, then all freewrite three sentences from same first line. Share.

Why do we do this? It’s a great lesson in developing characters and scenes. So, freewriting is playful, generative, and amazing to see how we all imagine and explore in our own ways. The best part for me was seeing how in class we all took the line given and how our imaginations took such unique and individual paths.

 

 

 

Craft: Writing Prompt

How to find the themes that you are drawn to writing about.

Do you want to reach deep inside? Find the areas and themes that make your writing uniquely yours? Try this. Over and over. Random lists of nouns. No editing. Free write. Nouns. Word associations. Just write. Try it. Over and over. Put the lists aside and come back when ever you doubt your own voice. Try it.

I did.

It’s funny how the same things repeat in my work that I’d not consciously chosen. Obvious to some but I’m only just being aware of myself as a writer and this is the incredible benefit of my time in the MFA program, being a conscious writer.

Well, there you go, try it, free write this morning with your coffee and the sunshine.

1.

Tomboy. Dirt. Cows. Boys. Rules. Why? Why? Dad. Bedroom. Mum. Darkness. Waves. Camping. Trucks. Boys. Tools. Yes. Why? Jeans. Scruffy. Dirt. Cows. Patty. Why? Not.

2.

Female. Femme. Butch. Tires. Trucks. Fix it. Talk. Tellings. Beer. Drama. Girls. Pain. Drama. No. Dreams. Nightmares. Outside. Failed. Failed. Why? Dead. Gone.

3.

Rovers. Community. Passion. Talking. Tools. Girls. Boys. Camera. Bodies. Shapes. Lighting. Too much. Details. Seats. Engine. Leafsprings. Bears. Dogs. Family. Friends.

4.

Camping. Woods. Bears. Why? Fire. Food. Quiet. Calm. Sleep. Stevie. Dogs. Gods. Fire. Leaves. Wind. Window. Reading. Writing. Food. Beer. Calm. Quiet. Finally.

5.

Nightmares. Coma. Choices. Decisions. Christmas. Beep. Beep. Beep. Beer. Beer. Beer. Books. Read. Hide. Pubs. Hospitals. Nightmares. Mum.

6.

Camping. Fields. Trees. Decisions. Fires. Food. Camping. Vans. Trucks. Tents. Beetle. Dogs. Cats. Camp. Out. Away. Smiles. Hide. People. Less. More. Me. Me. Found. Peace. Smiles. Hide. Out. Side.

Don’t analyse but write. It’s a fun little game for your own pleasure in word associations.

 

 

 

What is a short-short story?

Short-short stories are often described sketches, vignettes, or anecdotes. Or flash fiction, micro fiction, but whatever the name, they’re done with skill and deliberateness.

Writer’s Craft: What is exactly is a Short-Short Story?

The name short-short story may be relatively new, but its forms are as old as parable, fable, and myth, wrote Robert Shaphard in 1986.

Yes, in 1986! I had no idea. I’ve only really become aware of the form in the last few months, perhaps I read some before but without labelling it as such? I don’t know. However, I’ve been on the search.

Sudden Fiction, American Short-Short Stories is a collection of work all under 1500 words, published in the mid-eighties, with such notables as Grace Paley, Donald Barthelme, John Cheever, and Raymond Carver. I’ve been reading as much flash fiction and short stories recently because that’s what I’m turning to as I write. I wanted to find out more, find the history, learn the craft, and then probably ignore much of it knowing me. Still, it’s good to know what works, what has lasted. I’d not known the rich history though and this collection also had three short sections at the back where the authors talked about the form, what does it need to hold together, what is the best category to use, the naming of form and the craft as they saw it then.

How do we define and do we need to? Yes, we’re writers, we’re programmed that way, to write it out to make sense of the experience. Hence this short essay.

Sudden Fiction, American Short-Short Stories has so many stories that are touching, inventive, suggestive. A week’s worth of reading if you’re like me and have to take on short story at a time, read with it, put it down, and let it rest.

At the end of the collection are three sections where the authors were asked to write about the craft, tradition, and yes, how to name this form. The discourse between the writers was just as interesting and their characters came out even in those responses.

Short-short stories are often described sketches, vignettes, or anecdotes. Or flash fiction, micro fiction, but whatever the name, they’re done with skill and deliberateness, a stripping away of anything unnecessary. There’s economy, wit, a turn at the end that is often funny, shocking, touching, or unexpected. Each one gives a sense of place, mood, scene and atmosphere in under three pages. I’d say they’re often less narrative and more evocative. They give us, the readers, a slice or quality of life, a moment of discovery, or a flash of illumination. They are complete and when you finish, the last line stains and lingers. That is the beauty of the form. The compact completeness that lingers.

There’s nothing like reading quality stories that inspire and this collection did. There are over sixty-five pieces, and only thirteen are by women writers. Shame. I’ll say nothing else here on that topic.

When critics and authors explain the interest in short-shorts these days (2018) they often claim it’s a result of the Internet, short attention spans, an influx of information. Exactly the same was said thrity years ago, even longer as some of the pieces in this Sudden Fiction came from the sixties. Perhaps then it’s just that there’s something so satisfying to dive into a world for only a few pages, if that, and be touched and surprised?

Whether I call them vignettes, prose poems, sketches, parables, fables, flash or short-shorts, these condensed concise tales of moment or incident live in a no man’s land that appeals to me. I’m enjoying playing with moments, memories, imagination, words and forms. This then is the start of a new body of work for me. I’m having fun. I’ll let you know how it goes. So far so good, I have over fifty of the buggers. I’m on a roll.

Here then is one my latest shorts:

First Date

She folds up her long legs into the front seat of the old Toyota truck, window rolled down, one silky arm draped out touching the trees as we drive down narrow rocky back roads mid morning and her other hand holds a tall mug of creamy coffee, clasping it carefully with feline fingers that trace the curves, and I drive with eyes averted, focused on the dangers ahead, the rocks unseen, the flash of animals in the woods, and the sun creeps into the valley as we head up and up, deeper and deeper into the unknown New Mexico wilds with only a vague sense of direction, the truck trundles onwards unflinching and reliable with the steady churning of gears slower and slower and the world gets rockier and my hands clench with determination not to wander too far off course and we’re barely moving but covering so much ground as we catch up and laugh out loud and tease and I drive, ignoring the hand on my lap, and squinting in the bright light, and then our mountain track opens up to a meadow of sunflowers as tall as this woman beside me and she turns to me and says, Stop, and I did and I still don’t regret a thing.

Writer’s Craft: On Fiction and Character Development

On Fiction: Knowing your characters is key to a writing an insightful novel or short story. 

It’s true, the more we know the protagonist, the side characters, everyone mentioned, the fuller the sense of story we take the reader into. We’re less like to have pawns, stereotypes, and more likely to have believable people reacting to the world we’ve stuck them into.

Alexander Chee came to VCFA in 2017 and talked to us in the MFA program about developing his own characters and how much research he would invest in each one. He inspired much of this list, some are his ideas and others are mine that came from the inspiration of listening to him talk.

The list is in no specific order. It’s a collection of random questions and suggestions that help me when I’m writing fiction. It helps me in revision too, I can go back to each character once the story is finished in my case, and look more carefully into their backgrounds and make sure it rings true or if more information is needed for the reader to understand their actions and reactions.
It helps me. I hope it helps some of you too.

  • Trust the magic
  • Let the story out
  • Trust the characters
  • Write everyday
  • Get it out, remember?
  • Drop in deep
  • Fall into the spell
  • Trust your intuition
  • What’s the reason for living that lfie?
  • Who’s in control in the story? The protagonist’s life?
  • Ask questions of your characters
  • Follow those questions in each chapter
  • Access the urgency
  • Create a playlist
  • What do you have to say?
  • See the world through their eyes
  • Trust intuitive structure
  • Write what you should write, what you know
  • Don’t worry about externals
  • Don’t be in good taste
  • Let the characters act true to themselves
  • Don’t censor them
  • Or yourself!
  • Find the details that are so telling, a gesture, word, action
  • Poignancy, find it in each character
  • The story is its own editor
  • Do you know enough to tell this story?
  • Commit to writing two hours per day
  • Dive in, swim, float, paddle in that story every day
  • Write out all the sories and later work on how it fits together
  • What are you interested in?
  • Who do you want to hang out? You’ll be spending a lot of time with these characters
  • Research the context, era
  • Find those odd details
  • Clothes, politics, food, houses, music, transport, hairstyles, shoes
  • Don’t control the voice of each character, they are unique
  • What is the social place your character lives in? class, access, education, goals, lifestyles
  • What is the story that can only happen to them?
  • Know them so well that you can deeply know the motivations at all times
  • Find the intimacy of character details, the gestures, walk, look specific to that person
  • How do they rationalise their actions to themselves? To others?

If you have more ideas, then add to the comments below and we can share the info. Thanks again. Be well. Be creative.

Through the Trapdoor.

Get ready. Do you want to reach deep inside? Find the areas and themes that make your writing uniquely yours? Try this. Over and over. Random lists of nouns. No editing. Free write. Nouns. Word associations. Just write. Try it. Over and over. Put the lists aside and come back when ever you doubt your own voice. Try it.

 

1.

Tomboy. Dirt. Cows. Boys. Rules. Why? Why? Dad. Bedroom. Mum. Darkness. Waves. Camping. Trucks. Boys. Tools. Yes. Why? Jeans. Scruffy. Dirt. Cows. Patty. Why? Not.

2.

Female. Femme. Butch. Tires. Trucks. Fix it. Talk. Tellings. Beer. Drama. Girls. Pain. Drama. No. Dreams. Nightmares. Outside. Failed. Failed. Why? Dead. Gone.

3.

Rovers. Community. Passion. Talking. Tools. Girls. Boys. Camera. Bodies. Shapes. Lighting. Too much. Details. Seats. Engine. Leafsprings. Bears. Dogs. Family. Friends.

4.

Camping. Woods. Bears. Why? Fire. Food. Quiet. Calm. Sleep. Stevie. Dogs. Gods. Fire. Leaves. Wind. Window. Reading. Writing. Food. Beer. Calm. Quiet. Finally.

5.

Nightmares. Coma. Choices. Decisions. Christmas. Beep. Beep. Beep. Beer. Beer. Beer. Books. Read. Hide. Pubs. Hospitals. Nightmares. Mum.

6.

Camping. Fields. Trees. Decisions. Fires. Food. Camping. Vans. Trucks. Tents. Beetle. Dogs. Cats. Camp. Out. Away. Smiles. Hide. People. Less. More. Me. Me. Found. Peace. Smiles. Hide. Out. Side.

 

 

 

 

Living The Dream: 21

 

SEPTEMBER: SUPPORTIVE FRIENDS

“Do you have a shotgun?”

“Did you kill it?”
“What happened?”
I poured the French Roast one at a time and answered, “we went to bed.”
The café broke out in laughter; all began talking at the same time. The two tables were full of locals, with newspapers, empty paper cups, plates of bagels, and the various phones and hats they all carried. Eight chairs, seven gray-haired men, and one four-year old little girl in pink. She held court between the snake stories. Mark and I’d gotten off lightly apparently. One local woman had a rattlesnake climb into bed with her. I’m glad that wasn’t me.

The guys all had different ideas as to what we could/ should do next time. No one had the definitive answer that I heard. But here goes, the ideas included but were not limited to:

Shotgun.

Rope on a stick to lasso the bastard.

Metal buckets with lids.

Cats keep away mice and rats, and therefore the snakes don’t come over for dinner.

Clean up piles of lumber and trash. (Little did they guess that I was pretty anal about that already and didn’t need any excuse.)

Wire mesh under the bus to keep out all kinds of critters.

Cat-litter spread around the perimeter.

And again, get a shotgun.
I poured coffees for the regulars and made lattes for the tourists. The café business was slowing down after my mid-morning rush. I took a breath and carried on cleaning, dusting, and catching up. I drank another cappuccino. The two glass doors had been propped open and a soft crosswind took out some of the various odors, not all were that pleasant let’s say. I wiped down the shelves and took a cloth to the shelves full of small colorful silly gifts for those passing through. I looked at my notes. Matthew, a local mechanic, had drawn a sketch for how to make a lasso out of PVC pipe and baling wire. He’d drawn a cartoon of Mark and I chasing down a posse of snakes across the desert. I wanted to frame it; he’d done such a great job. Frida was asleep outside in the back yard of the café, under the elm tree with her favorite blanket and toy near by. She’d been on quivering guard all night long and the poor thing was exhausted. I checked on her every so often but she barely moved.

The morning passed peacefully and for that I was glad. I scanned the paper, looking for jobs for Mark. He’d hate that, but he’d need to do something soon. I couldn’t support us both on what I was doing. I thought of asking at the restaurants but couldn’t face that either. I leaned against the counter and daydreamed.

 

“Hi. Is Anne around?”
Andrew, the birthday boy, stood in front of me with his hat in hands, politely letting me gather myself. He’d pulled up in the driveway in his 4Runner, the engine still running. I checked the calendar and told him she’d be back in the morning but not before.
“Can I help somehow?”
Andrew shook his head but sat down on one of the wooden stools in front of me, his truck forgotten. His long white hair hung loosely and the blue Levis and denim shirt were much more worn out than at his party the other weekend. He wasn’t in his Sunday best, I guess.

“I don’t know, Jenny. It’s my sister; I’m worried about her. Anne’s so good at all of her community outreach stuff, I wanted to ask her help.”
“What’s wrong? Is there anything I can do?” I poured him a cup of coffee out of habit and sat next to him. I turned down the music. He sat quietly for a moment, thinking to himself before he started to talk.

“It’s the rescue. She’s drowning in debt but won’t ask for help from anyone. I don’t think she can keep going for much longer unless she gets some money together. I don’t know how. We’re all the family there is, we don’t have anyone to turn to. Mom’s ancient and doesn’t even recognize us any more.”
“So you thought of Anne? How come?”
He glanced at me. “I forget you’re still new here.”
“I’m not. I’ve been here almost three months now,” I said indignantly.

He laughed, “no offence, but that’s not so long, is it? Anyway, Anne’s put on fundraisers before. I thought maybe we could do one for the sanctuary.”
“I want to help. I don’t know how, but I’m sure I could do something. What does she need?” Ready to get involved as usual, I couldn’t keep my enthusiasm in check. I tried not to bounce in my seat.
“Mostly it’s the financial stuff, paying bills, buying supplies for the dogs, paying medical bills as they come up, maybe even making it into a non-profit.” He grinned. “Well, that’s what I’ve come up with so far.” and he tied his hair back and out of the way. His moustache drooped and dipped into the coffee.
“What’s she been doing until now?”
He sighed deeply. “Nothing. I told her to set herself up properly when her husband left, but did she listen to me? No, I’m just her older brother.”
“Mark’s been helping over there, mending fences and stuff. It’s not really what he’s good at. He’s more of a musician than anything else. But he’s good on the computer. Maybe we could do the Internet stuff for her, work on the accounts and look into some marketing?”
“Louisa doesn’t like getting people involved in her life. We’d have to get her okay first. But is it hard to get the non-profit stuff done?”
I shook my head and sipped coffee and grabbed notebook and pen. I started to write down ideas free form. “I’d think it’s probably just lots of details, setting up the different roles and that. We could do it so she has the final say on mission statements and that, but we organize how to deal with the money side of things. If Mark or someone could write some grants, then…”
“She’d be okay? I don’t want her to lose everything in the meantime.”
“Oh, right, that wouldn’t help her out right now.” I stood up and called to Frida. She trotted up the steps and lay down next to Andrew’s boots, and started to lick the one nearest her.
“Been cleaning out the stables,” he explained as we watched my dog.

I wrote down about grants, sponsors, fundraisers, and asked, “When Anne’s done other events, how does that work?”
Andrew added some more sugar and talked about the tavern hosting various shows over the years, with silent and live auctions, music all night long with the local bands each getting a set or two before the community jam towards the end of the night. “For one woman with a back injury, we raised about six thousand, and that took care of her mortgage and those kinds of expenses. The hospital covered the medical bills since she was under the poverty income levels.”

“Do you really get that much support here? There are not enough people, surely?”
Andrew laughed, “I know it seems that way at times, but there’s another four hundred or so folks living out in the mountains, and most of them are artists and writers and sculptors and woodworkers. They all bring their own creations to auction off. The musicians play with each other and with their reputations they bring in more of a Santa Fe audience, the families bring the kids, and it’s pretty incredible.” He had the sweetest smile right then.

I petted Frida. “Let’s do it, a fundraiser then, and in the meantime, Mark and I can work on the long term legal stuff, finding us, I mean Louisa, sponsors. I’m up for it. I’ll tell Mark later today, okay?”
Andrew put his hand on my arm, and still smiling, simply said thanks.

 

The four of us sat at the corner table in the tavern. Papers and pens lay scattered among pints of half-drunk beer and untouched iced water. A bowl of tortilla chips was brought over by the waiter. He left us to it after checking we didn’t need anything for a while. We all talked over each other, one idea after another. Anne took down notes as to names of artists and galleries. I wrote their suggestions for media coverage, which papers and the specific journalists to approach. Radio stations, online yahoo groups, Facebook, all the different social networks came to mind. Mark scribbled his own ideas and questions to follow up on for finding the bands. Andrew stood up after a while and stepped outside to smoke, with Mark following his lead. Anne and I took a breath and stopped talking. The calm felt good. I set the pen down. I breathed in deeply and let it out slowly.

The tavern was empty. Then again, for a weekday afternoon, I should know to expect that by now. Anne drained her first pint and ordered another round, with a plate of nachos for the group of us.
We sat in an easy silence.

The drinks came. The men didn’t.

“Cheers.” she toasted me. “Welcome to Oliver. You’re truly a part of this place if this is how you spend your time off.”
I tipped my glass and took a sip. “Yep, I feel like I can help out. I know Louisa. If it had been anyone else, I don’t know that I’d be as keen as this, to be honest. But I like what she’s doing up there. Maybe I can help set up a website, tell people about the specific dogs looking for homes.”
“She’d do well with a monthly newsletter to keep us in touch. She’s not good with people, that’s for sure, but I’ve known her with these dogs, ones you’d think should be quarantined because they’re so unpredictable. But she works with them, teaches them manners, and finds them homes. It’s such a shame her husband left her, but I reckon she’s happier without him.”
“Really? Why?”
“It wasn’t his dream, you know? The ones that don’t make it out on the land, well, usually one or the other is just going along with it to keep the partner happy. After a while, hauling water, or chopping firewood, or waking up to a raging windstorm, it gets old for some.”
“Not me. I love every minute of it. I didn’t know I would, but I do. And Mark’s been amazing too. He’s so great with the pup, and with getting his hands dirty, all the while he’s grinning and giggling and whistling to himself. I’ve not seen him this happy before. It’s pretty amazing.” I stared out the window and we watched Andrew and Mark chatting away, big smiles on their faces, non-stop back and forth. Mark pushed his curls out of his eyes and tied a bandana around the unruly mess, as he stroked his goatee absently. He finished his pint as he listened to the older man. Andrew’s faded denim shirt glowed in the direct afternoon sunlight, and his weathered skin suited him just fine, so much so that I imagined my boyfriend in his seventies looking somewhat like his new friend. I smiled to myself and turned back to Anne. She was reading her notes distractedly, fiddling with a strand of hair.

“Where’s Graham today?” I asked suddenly.
She shrugged. “I’m not sure. Something about the fire department, taking out a new volunteer to check for wildfires. He said they’d be back late afternoon sometime. We’ll see.”

She shook her head and focused on writing reminders to herself when Mark wandered over. He took a seat next to me just as the nachos arrived. He helped himself, humming away as he ate. I watched them both.

Living The Dream: 11

As part of the ongoing Sunday installments of the novel. You can find the other chapters on here, posted each Sunday morning. Thanks! 

DECEMBER: BACON

The bedroom was cozy, with windows facing a small neighborhood park, empty at that time of night. Nelson had his own bed next to mine and he slept soundly. I didn’t. How had I ended up at this home in Albuquerque? It must be the beer. This isn’t like me, to go home with strangers, but I felt safe and relaxed. Unusual to say the least.

When we’d walked back to my truck, they’d offered me a place to stay for a few nights, a chance to unwind after weeks on the road. I followed them and drove up to a small but well lit home nearby. The front yard held a teardrop trailer and an SUV. I pulled in on the left, out of their way hopefully, and let the boy out. The winter sky sparkled above, cold and distant. The lights in Angie’s home drew me in. Jonnie was in the kitchen already, putting on water for tea.

“The room is back there, the one at the end of the hallway. Make yourself at home, Jenny. We usually make tea and hang out on the porch, catching up on the week’s news. You can join us if you like?”
I shook my head and shuffled back to the bedroom. I was settling in my boy when Angie popped her head around the door.

“Your bath is ready. Come on, it’s in here.”
The bath overflowed with bubbles, the windows steamed, and candles flickered on the countertop.

“I thought you’d like a little pampering. Anyway, I’m going to be outside with Jonnie, to see what he’s been up to without me. It’s hard not living together right now, but I need to finish my master’s degree here before I go back south. Oh, blah blah, you don’t need to hear this. Go relax. See you later or not. Coffee’s usually ready early so help yourself. And Nelson can hang out in the back yard, it’s fenced. Good night.”

She closed the door behind her and Nelson’s footsteps followed her down the hallway. The backdoor closed behind the three of them. The house grew quiet.

“We’re off to the Farmer’s Market. Do you want to come with us?” Jonnie finished his second cup of coffee. “It’s pretty amazing at this time of year, what with all the winter treats like raw honey and candy, all wrapped ready for Christmas presents, as well as wreaths made from the local trees. It’s fun. I’ll even buy you a hot cider.” Jonnie stood up from the kitchen table as Angie appeared, pulling on a winter coat and a woolen hat.

“Sure, it’s okay with Nelson though? The one in Santa Fe won’t let him come in.”
Angie nodded and handed me the leash. “No worries, he’ll be fine. I know the manager. You can be my visiting niece and she won’t ask for more than an assurance that he won’t mark everything. Okay Nelson, you’ll behave?”

Nelson fetched his leash, waiting for the slow coach humans at the front door.
Clouds had followed from the North East corner of the state and threatened a snowstorm. I huddled deeper into my jacket. Nelson looked as happy as a raven with a dead mouse. Comfortable and content with the world, he trotted alongside as we walked and talked. Angie led the way through the park and onto more back roads. The sun peeked out occasionally but not often enough to melt the frost on the grass. Nelson sniffed, marked, and sniffed some more. He was a happy boy.

“We thought of buying land down south, near the Gila National Forest but the idea of living without power or baths put us off. I like my comforts,” said Angie with a laugh. “We own a home down by Elephant Butte Reservoir, not that there’s much water these days, but it’s nice to be near a lake, live quietly and still live in a real home, you know. Don’t you miss living in town?”
“We’re only four or so miles outside of Oliver, so it’s not bad. And it’s worth it to me, to live where no one cares what we do or how we do it. I don’t really know how to build to code, or really what that even means, but Mark and I, well, we got to play and make shelters and gardens and all of it without anyone judging us. That can’t be beat.”
Jonnie slowed down to ask about the water and electricity.

“Not that I understand that stuff, I work in the museum down there, cataloguing acquisitions and talking to all the school kids. I like the job, I get to leave at the end of the day and not worry about anyone or anything. Perfect. I go home, make some food, pet the cat, and watch movies. At least, when Angie’s up here.”

She slapped him playfully and linked her arm with his. They chatted away as we walked.

“I don’t know that I could go back to teaching, not yet anyway. You’re right; it’s easier when you don’t have to worry about anyone. The café has been perfect for me, a way to meet the locals, network, and get involved in the community. Mark has had a harder time of meeting people but he’s made some friends, some closer than others. I don’t know if they’re aware why he’s left. I’ll have to tell them I guess, when I go home.”
Angie and Jonnie glanced at each other. “Do you still think of it as home then?”

I nodded, surprised at myself. “Yes. Yes, I guess I do. It’s good to talk about the place, the people. I hadn’t realized how much it suits me there. Or how proud I am of how we learned how to do things for ourselves. It’s kind of amazing really, we used to just accept what we’d been told, you know, by the supposed experts. But then we started to question them and we’d look into things ourselves. I learned a lot.”
The lights changed and we crossed another side road, and found our way through the mass of cars and bicycles parked haphazardly in front of the market.

“If you lose us, Jenny, there’s a café just there, see it? We’ll find you there at noon, okay? Come on; let’s face the mayhem. There’s this family who make the best burritos. You’ve got to try one. And for you, Nelson, bacon?”

He trotted happily, tail high and proud.

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